Saying Goodbye To Winter Intern: Marguerite

Wow - my last day at AXIS Dance Company! How time flies. Seems like I just arrived a month ago yet a full three months has gone by. I feel integrated into the weekly office functioning and now it is time to go. Reflecting back on the last three months, I feel a sense of accomplishment.

A few highlights: I have learned a tremendous amount regarding the ins and outs of setting up performance events, from flight arrangements to venue, hotel and presenter coordination. I have also dabbled quite a lot in the marketing of upcoming events. This has involved internet research and write-ups - two things I love to do! On a more practical end, I have helped to organize a couple of important office functions, like the music library and Annika's desktop space. I have also learned how to use a Mac! While this may seem trivial to some, to me it is an accomplishment I am now proud to add to my list.

On the more unusual office skills side, I have had a chance to be a part of the finalization of the curtain installation process! Yay, for completion! Thanks to Annika and Christy for getting lighter curtains, a suitable curtain rod and deciding to go for it! And what a wall we had to work with. Try hanging a curtain rod on a wall base of tin, drywall and cement. Needless to say, we had fun!



On the per-formative side, I have really enjoyed watching rehearsals and participating in the Monday Night Master Classes. I am also enjoying the Professional Teacher Training in Arts Integration. And on a personal note, I have started taking risks previously often avoided in dance. I am learning how to access choreography! This is a tremendous accomplishment for me, one that leaves me feeling really satisfied. I am continuously amazed at the parallels of learning choreography and other aspects of life. I am dyslexic. Determining left from right, up from down, flip-side from downside etc. can be really challenging for me. Because of the acceptance I encountered both in office and on the AXIS dance floor, I now feel a sense of inner integration and greater self-awareness. I have learned to handle and recognize many aspects of a learning disability previously frustrated by. Thank you AXIS!!!

All in all, my experience with AXIS Dance Company has been tremendous! Many thanks! See you on the dance floor!

Marguerite

Dance Anyhwere!

Sonsheree Giles and Rodney Bell, dancers part of the Axis Dance Company, perform “To Color Me Different” choreographed by Alex Keltley at the SFMoma on Friday March 18, 2011. Sasha Tivetsky / staff photographer

Posted on March 20, 2011 | GoldenGateXpress
By Chase S. Kmec

A true entertainer is in no need of fancy footwork to achieve a memorable performance.

On Friday afternoon, performers across the world celebrated “Dance Anywhere,” a simultaneous, unplanned public performance. The San Francisco Museum of Modern Art hosted a performance of two dancers from AXIS Dance Company in commemoration of the day.

AXIS, an Oakland-based nonprofit founded in 1987, features physically disabled and able-bodied performers who specialize in physically integrated dance. This form of contemporary dance emphasizes the role of the disabled performer while also challenging people’s perceptions of the human body and the traditional notion of dancing.

“I was interested in challenging stereotypes when I joined AXIS,” said Sonsherée Giles, a dancer and associate director of AXIS. “We help educate people with our performances. It’s not for the weak of mind and it’s definitely unique.”

Giles, who has been with AXIS since 2005, often performs with Rodney Bell, who is paraplegic.

“Dancing in public spaces is harmonic in a meditative way,” Bell said. “But it can also be daring and edgy.”

Bell is originally from Te Kuiti, New Zealand and played basketball for the country’s Paralympic team from 1999 to 2006.

In the spirit of Dance Anywhere’s “no boundaries” philosophy, Giles and Bell performed “To Color Me Different” to onlookers in the SFMOMA lobby.

Bell was not confined to sitting. At times, he would leave his wheelchair and crawl across the museum floor, sometimes embracing his partner. Other times he would make use of the wheelchair, lifting it and utilizing his upper body strength, to perform an intricate pose. In turn, Giles would grab her partner and, while performing traditional dance, often used Bell’s back as a springboard to emphasize her flexibility with Bell wheeling about–all done in the name of artistic expression.

The performance was without any musical or audio accompaniment.

While many SFMOMA patrons milled about the lobby, others encircled the two performers, studying their physicality.

“For the observer, they’re doing their thing and a group of people become their backdrop,” said Ron Saunders, a photographer and art enthusiast. “I find it interesting how people don’t become aware of activity happening in their immediate area.”

In regards to the day itself, 12 p.m. marked a flurry of spontaneous performances courtesy of the Dance Anywhere organization.

Dance Anywhere arranged for the AXIS performance to perform at SFMOMA but many other individuals and organizations throughout the world also participated in the annual spontaneous performances.

“People can just do whatever they want,” said Dance Anywhere media director Janina Angel Beth. “Some people dance on the street, some are spontaneous, others are conceptual.”

While other spontaneous dancing events occurred throughout the Bay Area and in San Francisco–including a performance at United Nations Plaza- it was AXIS who captivated many within SFMOMA because of its alternative take of dance.

“It’s not something that happens all the time,” Saunders said. “Using that wheelchair as an extension of his body is truly amazing and very powerful.”

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