Showing posts with label wheelchair. Show all posts
Showing posts with label wheelchair. Show all posts

Wednesday, May 4, 2011

Keep Spinning the Wheel

by Annika Nonhebel, Education Director

One of my favorite things we do at AXIS are in-school assemblies. It's wonderful to see the kids enjoying our show, to see their exciting faces and be able to introduce them to our dance form. I love receiving letters, poems, and drawings from the students. They are art pieces in themselves. Here is one I definitely want to share with you ( i'm keeping the spelling as is).

Dancing
Dancing everywhere

even using wheelchairs

When you dance

it's so unike

springing and jumping

stunting to

double wheely

spin around

fall down too

crawling on the floor

spinning all together

stacked on top

you were so great

I liked it a lot

So keep spinning the wheel


Sincerely,
Grant
3rd grade, Old Orchard School

Thursday, March 3, 2011

New Work In on Conventional Places




Hello All - Happy 2011 - it feels like we’re certainly well into the New Year. Joe Goode’s GUSH Festival at Brava was a great way to jump start the year. Joe curated a fabulous program and we were genuinely humbled not only to share the stage with him, but by a comment from his program notes:
“To my mind, this is one of the most important companies working in the Bay Area today. Not only are they committed to artistic excellence, but they are also offering a fresh perspective on what it means to be human.”

This is so validating and gives us a bunch of energy for the great projects we’ve planned for 2011. For the first part of the year we’re focusing on OutBound our first ever Outdoor Performance Season! OutBound consists of two distinct collaborations. The first work, find way to fall II, will take place at Yerba Buena Gardens Festival in June. Choreographed by AXIS’ Associate Director SonsherĂ©e Giles, this will be a site-specific work featuring AXIS dancers and a huge community cast. It was a hit last year and this year we’ll be exploring different places to dance in the Gardens.
The second work, The Dislocation Express, is our long awaited collaboration with Dandelion Dancetheater, directed by Eric Kupers and Kimiko Guthrie. This performance work will take place at or near various BART stations throughout the Bay Area in July. Music will be performed live, composed collaboratively by members of the ensemble and played on instruments, voices and the sounds of wheelchairs, crutches, prostheses, and more.

Outdoor performances in public places provide exposure to large numbers of ’accidental audiences’ that may have never seen AXIS, or anything like us for that matter. OutBound performances will be free and open to the public and will give us an opportunity to give back to the community. We’re really excited about adding something new and different to our season. Watch for details and come out and enjoy AXIS up close and personal in the out of doors this Spring and Summer.


Warmly,
Judy

read more here

Friday, October 22, 2010

Kat's Blog: things are heating up at AXIS ( in a good way)

The temperature may have dropped in the Bay area but things are heating up at AXIS. There is only 2 weeks until the company premieres ODD at ODC Theater in San Francisco and 3 weeks until we come home to The Malonga Theater, Oakland!

Tickets are starting to pick up fast so make sure you reserve yours today at http://www.brownpapertickets.com for the Malonga show and http://www.odcdance.org for the ODC show. I’m certainly looking forward to seeing how the piece comes together and meeting an AXIS audience!

On my time out of the office I’ve been enjoying exploring the dance scene in the city and the bay. I’ve been taking regular Bhangra and Bollywood classes at the YWCA Berkeley, Irish Celeidh dancing at The Starry Plough pub (one of the only places I’ve found serving a pint of Blackthorn Cider from back home) and the occasional ballet, contemporary and jazz classes at Alonzo Lines and Shawl-Anderson Dance Centers. I’m yet to make it down to ODC but hope to go check out a class there in the near future. Still so many styles I want to take the chance to try- any recommendations? I was thinking maybe West African, Samba, or Ballroom? Or if anyone would like to be my partner at a Salsa night!?

I would love to get out and see dance performances around the city however ticket prices around here are quite high, definitely more pricey than at home, and I’m yet to find smaller scale shows that suit my budget- I know they’re out there so I’ll just keep searching…..

I turned 22 last week and spent a great day at Tilden State Park. I believe this is the first time I have ever sunbathed on my birthday and it was a real treat to go hiking and then swimming in Lake Anza. That, plus a weekend in wine country for The Revolution, made for great celebrations although my friends and family back home will know I was missing a good traditional cake!

I’m also looking forward to Halloween coming up at the end of the month. It isn’t a big deal in the UK so I’m waiting with anticipation for my chance to visit a pumpkin patch and start carving. What costume to wear-now that’s the question!

Looking forward to seeing you all at the show!

Wednesday, October 20, 2010

World Premiere ODD Performed by AXIS Dance Company and inkBoat

NOVEMBER 5-7: "ODD", at ODC in San Francisco. Tickets available via ODC website.
NOVEMBER 12-14: "ODD", at Malonga in Oakland. Tickets available via Brown Paper Tickets or call 1-800-838-3006.


" Kitsch is the opposite of the public space, of the public conversation, of the demand for objectivity and functionality. Kitsch is the intimate space, our selves, our love and our congeniality, our yearnings and our hopes, and our tears, joys and passion. Kitsch comes from the creative person’s private space, and speaks to other private spaces. Kitsch deals therefore with giving intimacy dignity." ~Odd Nerdrum, 2000

For the first time ever inkBoat dancers Sherwood Chen, Dana Iova-Koga, Yuko K, and Peiling Kao will share the stage with AXIS Dance Company, one of the world’s most acclaimed and innovative ensembles to integrate performers with and without disabilities. The resulting world-premiere collaboration, ODD, is a series of dances choreographed by current ODC artist-in-residence and inkBoat Artistic Director Shinichi Iova-Koga, with musical accompaniment by famed cellist/composer Joan Jeanrenaud (formerly of the Kronos Quartet) and musician/vocalist Dohee Lee. The collaboration was inspired by the paintings of Odd Nerdrum, the Scandinavian painter renowned for his emulation of old-master techniques and textures, and his devotion to the depiction of flesh. With echoes of Rembrandt and Caravaggio, Nerdrum plumbs the depths of the human condition, exploring themes of loneliness, fear, brutality, hatred, sexuality, birth, death, and degradation with a precision that borders on the hallucinatory.

“[AXIS Dance Company’s] dancing drew us in, and by the finale, the evening was coruscating with brilliant dancing, and there was no place on earth I'd rather be.” -Dance View Times

"Jeanrenaud's sheer technical virtuosity is what a listener notices first--the full-voiced beauty of her string tone, her melodic fluency, her rock steady ryhthmic control." -San Francisco Chronicle

"...inkBoat is at the forefront of a new generation. Founder Shinichi Iova-Koga creates startlingly imaginative psychological journeys of humor and horror..."
-San Francisco Chronicle

Featuring
inkBoat (dance)
Joan Jeanrenaud with Dohee Lee (music)

Directed and Choreographed by Shinichi Iova-Koga
Music Composed by Joan Jeanrenaud

Image: AXIS Dance Company and Inkboat in 'ODD'. Photo by Michele Clement

Wednesday, October 6, 2010

Dance company looks beyond disabilities



Wednesday, September 1, 2010

AXIS Summer Intensive 2010 - last post from intern Cayenne

Congratulations to all the 2010 AXIS Summer Intensive participants!!! I am so proud of all the beautiful dancing and so glad I got to be a part of such an amazing collaboration.


Day 3:… 25 dancers of various ages, walk, motor, hop or wheel through the studio space, chanting different syllables;
"..huh, huh sss,sss, whooO, whOO eeeEEEAAaah eeeEEE…"

This is the AXIS Summer Intensive, a part of our technique class warm-up. For me, the uniqueness of the AXIS Intensive was a focus on the mental and social aspects of dance. The range of backgrounds, ages, and physical abilities were very enriching.

To see what I mean, check out our latest updates on YouTube and Flicker!




In the afternoon we had improvisation, and during composition we created solos inspired by anatomical pictures (for example knee joints or the shoulder). We then combined solos to create a duet, finally combining duets to create a piece for the showing at the end of the week. I loved watching the metamorphosis and evolution of all the beautiful quartets.




It's been a wonderful AXIS Summer, and I wanted to thank all the people I've met - staff, dancers, board members, and fans, for being so welcoming! I also want to thank all the summer intensive participants. It was an amazingly warm, friendly, and supportive group, and I really felt comfortable challenging myself. I hope that you can all take some of that openness into the real world and pay it forward. The last thing I would like to say is, hopefully you got some rest first : ) but keep on DANCING! - Cayenne Ross




Tuesday, May 18, 2010

Olives, Robots & Mythbusters: A workshop with Ann Carlson

"¸¸.•**•♪♫•**•.¸¸¸¸.•**•♪♫•**•.¸¸Ahhhhhhhhhhhhhhhhhhaaaa oooooohhhh haaaaaa hooooooo.no nieh, Naha...!"

It's a gray Monday afternoon in May. Walking by our studio in Oakland you would think the local chorus or theater group is rehearsing, but it's the AXIS dancers standing in a circle, using their vocal cords. Ann Carlson get's sounds out of the dancers I haven't heard before.



A moment later she get's them to write postcards - dancing postcards that is, about the things they love. Crawling on the floor they share their passion for olives, tulle, squeakily blue deflated dinosaur balloons, quad-rugby, honeysuckle, food (especially carbs, protein & cheese!), laughing, and their love for bikram yoga even though "the room smells like a cat box".


After a 36-minute vocal exercise, basically replicating a sound and moving it along in the circle, Ann explains: "I think this is a great performance exercise. It's a lot about being able to surrender and being wacky. Doing this for a long stretch of time allows you to listen more closely and to relax into the illogic of it."

After a short break Ann get's the dancers seated in a line (even though she hates lines)


and starts directing them: a base, intertwined with heavy breathing, than some mumbling & yelping interjected:



"I really want to try and make a piece one day with a vocal score Ann starts and before we know it, the workshop ends with a discussion about robots, mythbusters, aliens, and mermaids. Maybe they will all end up in a piece one day...




About Ann Carlson:
In 2004 Ann choreographed "Flesh" for AXIS. In this piece Choreogra
pher Ann Carlson takes her inspiration from music by Meredith Monk and a 1909 futuristic story by E.M. Forster concerning humanity living underground in a mechanized complex, a young man longing to get free. "Flesh" was co-commissioned by the Flynn Center for the Performing Arts, UC Riverside Presents and UC Santa Barbara Arts & Lectures. To see an excerpt click here.
Ann Carlson is a dancer, choreographer, and performance artist. She creates “dances that reflect and investigate the metaphor of the everyday” and are coauthored by the performers, who have included non-dancers, such as lawyers, doctors, and nuns. With a background in visual and performance art, Carlson often shows her work in unconventional dance sites, including museums, trains, and barnyards.

Monday, February 8, 2010

Welcome to our blog!

Hello AXIS fans, dancers, staff, board and all around groupies. This is our blog. We will be posting information about our newest projects here.

Today was our first rehearsal with the fabulous choreographer Shinichi Iova-Koga of Inkboat and cellist Joan Jeanrenaud on our latest collaboration called ODD based on the paintings of Iceland-based contemporary painter Odd Nedrum. In the paintings of Odd Nerdrum, survival on bare land pervades.

We'll be working towards the creation of a new piece that is being co-presented by ODC in San Francisco and will premiere there the weekend of November 5-7th followed by a performance at the Malonga Casquelourd Center in Oakland November 12-14th . We hope you follow the creation process of this exciting new piece by following this blog and the posts of all the amazing collaborators.

(photo by Andrea Basile 2009)